
Mark Wagenaar
Orpheus in the Dirty South: Triptych
You gotta roll with it,
the other dancers told her, speaking of the landing
after a leap, & when she didn’t roll just right, broke
her next-to-little toe.
La Bayadère: Nikiya in the kingdom of shades,
already forgetting the world above, her descent,
everything around her unnamed—
is there anywhere names enough
for a hundred shades of shade— her language failing her, as it fails us,
when we behold
the unprecedented.
​
***
​
The now & the not-yet, a preacher Sunday called this world
& the next, & in this now
Gregg Allman’s just passed into the not-yet.
You gotta roll with it, he said of his habit.
​
At last I’ve a word for my friend’s text, three months sober!
but I got a Disney cruise next week with my daughters…
​
A word for myself too,
as mine’s putting me to bed on the living room floor:
spreads a little blanket across my face
& chest, pats me night night daddy—
​
her serious babyfatted face there
then not there.
I’m worried I’m already forgetting these moments,
as she, all twenty months of her,
with no word for tomorrow, daily forgets her improvised
half-words
& nonce syllables
for this world as she passes
into our language.
​
***
​
This now, gone as quickly as her shining face
as she turns to Mickey Mouse adventures on the iPad--
have you seen this? The Clubhouse is a dismembered Mickey,
​
mouse head for the main house, a hand for the garage,
a leg for some unidentifiable purpose,
perfect mascot
for a land in which countless have had their limbs scattered.
We don’t have one Orpheus, we have legion,
& their names
are being scattered by the years.
Last weal-minute of sun, then it’s gone,
bloodmeal sky
in which swallows underdog the twilit body of God,
but we swing by ourselves. Someone begins to throw tatters of dark cloth upon the day’s face, as if through the fenestella of a martyrium
to the saint’s bones below. Like kerchiefs thrown from a departing ship
to the waving crowd on the dock,
no one sure who will vanish first.
4.2