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Volume 5.1

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Adam Clay   /   Alex Lemon   /   Savannah Bradley   /   Rennie Ament   /   A. N. DeJesús   /   John Gallaher   /   Virginia Konchan   /   Jessica Farquhar   /   Marcus Slease   /   Jules Gibbs   /   Drew S. Cook   /   Danielle Pafunda   /   Sally Rosen Kindred   /   Daniel Coudriet   /    Joanna C. Valente   /   Michael Robins   /   John Hennessy   /   Gretchen Gales   /   Special Feature: John Gallaher

A. N. DeJesús​​

Well​

I’ve always shied away from the hexagonal glinting of some words. These words refuse their straight jackets,
insistent upon dimension. I wince as their edges bloody my tongue. My hands shake, the word well falls out of
my mouth and onto the floor, dripping in copper. It fractures into pieces that hurt to look at. My cousins and I
used to shout at the windows of my mother’s minivan through the plains, “Oil wellwellwellwellwell!” Holes
bored into the earth so deep that darkness was liquefied; our squeals devolved well as it echoed off the stained
upholstery. Then, silence, somewhere among forgotten broken crayons. Maybe there’s oil in me too, at the
bottom of my well, my stomach pinkening, things growing and rotting down in the pitch. The bar across from
my apartment has $4 well drinks and half price draft beer after midnight. Drunk, I’d drop a match down my
throat; speculate if rum is more flammable than oil. Remember when well was all we ever wanted to be, “You
did well.” “Well…” begins a sentence that tries halfheartedly to answer, “Why?” Something just beyond
articulation, something I can’t get down on paper or say through the phone late at night, whisper-asking my
parents if I can come home. They say, “Not until you are well.”

AN Dejesus

A. N. DeJesus is a poet and technical writer out of Kansas City, Missouri. She was recently awarded honorable mention in the David Baker Awards for Poetry and a fellowship to attend Martha's Vineyard Institute of Creative Writing. Her work was  nominated for the 2018 Best of the Net Anthology, appears in Anti-Heroin Chic Magazine, and is forthcoming in the Los Angeles Review.  

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